Man on the Moon
The radio is tuned to some oldies station
when a siren begins to wail outside, spinning lights
around the walls like lazy butterflies on
the diminished gravity of the moon.
I was ten or twelve or maybe eight
when they put a man on the moon,
watching television in the living room
with my mom and dad, leaning up against
the coffee table or else sitting back
against the old blue sofa with ice cream stains,
believing back then that
all things were possible.
I used to pray, “Oh Lord, don’t let them drop that
bomb, don’t let them send me to fight, and
please make that little girl with the
ponytails and the braces mine.”
I can’t remember her name now --
she lived down the street--
and sitting next to my mother’s hospital bed
on the last night of her life,
I couldn’t remember what it was
I ever feared about the bomb.
“Galveston oh Galveston
I am so afraid of dying.”
I’ll never go home again,
I said.
I’ll never wake up
in this world again, she thought.
But when it was over
I went home, like a character
in a sappy song that never used
to move me,
and I went to sleep
with the radio on
and the lights off,
waiting for my time to arrive.
Jose Padua’s poetry and fiction have appeared in Bomb, Salon.com, Exquisite Corpse, Beltway Poetry Quarterly, Unbearables, Crimes of the Beats, Up is Up, but So Is Down: New York's Downtown Literary Scene, 1974-1992, and many other journals and anthologies. He had read his work at the Lollapalooza Festival; CBGBs, the Knitting Factory, and the Public Theater in New York; the Black Cat Club and the Washington Project for the Arts in Washington, D.C.. After living in big cities for most of his life, he now finds himself living in Front Royal, Virginia.